(Ed Valigursky’s cover for the 1957 edition of Eye in the Sky (1957), Philip K. Dick)
Inspired by Ed Valigursky’s stunning cover for the 1957 edition of Philip K. Dick’s early novel Eye in the Sky (1957), I kept on the lookout for novels with similar disembodied eyes (floating, gazing with menacing presence at fearful scurrying forms arrayed below). I discovered that it was a common theme — sci-fi artists use eyes to illustrate otherworldly (alien, spiritual) presence, big brother-esque governmental control, inhuman powers… Few equal the true presence of Ed Valigursky’s cover but are fascinating nevertheless.
Many years ago I read Eye in the Sky but remember little. I was intrigued but not blown away by Simak’s Way Station (below). Dr. Futurity (below) is waiting to be read on my shelf and
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PROMOTE CULTURE – DO SOMETHING TO PROMOTE CULTURE TODAY !
This is absolutely amazing MIT i salute you, can I have one ?
The future of user interfaces seems to be gesture-based, at least if one simply looks at where research dollars are flowing and what products–yes, like the Kinect–are coming to market. But the peripheral is not dead. Jinha Lee at the Tangible Media Group at the MIT Media Lab sees a different future, one that dispenses with gravity to create a much more tangible yet futuristic UI that lets users move and interact with floating, gravity-defying objects in 3-D space.
Lee’s prototype ZeroN is a small metal orb floating in free space that users can manipulate by moving around and placing in midair. Suspended by a highly tuned electromagnetic field, the orb really does seem to levitate, and the degree to which the system keeps the ball stable even as it is moved around on all three axes is pretty mind-blowing. The ball floats until it is moved, and when placed in a…
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So in a few months’ time I shall be off to New Zealand, thanks to the Louisa Ann Ryland travel scholarship! My first destination is going to be Christchurch which has recently been devastated by earthquakes costing the lives of 181 people and $30 billion in damages.
French photographer Fabrice Wittner has been commemorating Christchurch’s losses through his lightpainting series: Enlightened Souls. Wittner combines light painting techniques, human sized stencils and long exposure photography to create these poetic yet haunting images.
After making the first Enlightened Souls series in New Zealand, Wittner travelled to Hanoi, Vietnam; his latest light stencils bring children from rural Vietnamese villages into the capital.
Pretty amazing stuff and without that filthy photoshopping!